{"id":1429,"date":"2023-12-30T15:12:14","date_gmt":"2023-12-30T15:12:14","guid":{"rendered":"https:\/\/reticularfilms.com\/cursos\/\/clase\/clase-3-comedia-romantica\/"},"modified":"2024-04-24T16:04:07","modified_gmt":"2024-04-24T16:04:07","slug":"clase-3-comedia-romantica","status":"publish","type":"lesson","link":"https:\/\/reticularfilms.com\/en\/cursos\/el-vinculo-como-un-problema-estetico\/clase\/clase-3-comedia-romantica\/","title":{"rendered":"Clase 3 \u2013 Comedia rom\u00e1ntica"},"content":{"rendered":"<p style=\"text-align: justify\"><strong>Pel\u00edculas trabajadas en esta clase:<\/strong><br \/><em>Minnie and Moskowitz <\/em>(John Cassavetes)<br \/><em>Sucedi\u00f3 una noche <\/em>(Frank Capra)<\/p>\n<p style=\"text-align: justify\"><strong>Temas:<\/strong><br \/>La comedia rom\u00e1ntica m\u00e1s cl\u00e1sica de Capra, y la comedia rom\u00e1ntica estallada de Cassavetes. C\u00f3mo es el acercamiento entre los personajes en el contexto est\u00e9tico-perceptivo del g\u00e9nero. Qu\u00e9 expectativas genera el g\u00e9nero en el espectador, qu\u00e9 acuerdos est\u00e9ticos propone. Expectativas vinculares, linealidad y final feliz, la batalla como resistencia al amor, las murallas de los ideales como lo que nos priva de celebrar la diferencia.<\/p>\n<p style=\"text-align: justify\"><strong>Lecturas:<\/strong><br \/>Ray Carney, <em>The films of John Cassavetes<br \/><\/em>Ray Carney, <em>American vision<br \/><\/em>Marshall Fine, <em>Accidental genius<br \/><\/em>Stanley Cavell, <em>La b\u00fasqueda de la felicidad<br \/><\/em>Stanley Cavell, <em>El cine, \u00bfpuede hacernos mejores?<br \/><\/em>Stanley Cavell, <em>Knowledge as transgression \u2013 It happened one night<br \/><\/em>George Kouvaros, <em>The cinematic life of emotions <\/em>(entrevista)<br \/>George Kouvaros, A Strange Sun: Cinema and Theatre in John Cassavetes\u2019 The Killing of a Chinese Bookie and Opening Night<\/p>\n<p style=\"text-align: justify\">Natalia Trzenko y Mar\u00eda Fernanda Mugica, <em>Amar como en el cine<\/em><\/p>","protected":false},"comment_status":"open","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"class_list":["post-1429","lesson","type-lesson","status-publish","hentry"],"aioseo_notices":[],"uagb_featured_image_src":[],"uagb_author_info":{"display_name":"reticularfilms","author_link":"https:\/\/reticularfilms.com\/en\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"Pel\u00edculas trabajadas en esta clase:Minnie and Moskowitz (John Cassavetes)Sucedi\u00f3 una noche (Frank Capra) Temas:La comedia rom\u00e1ntica m\u00e1s cl\u00e1sica de Capra, y la comedia rom\u00e1ntica estallada de Cassavetes. C\u00f3mo es el acercamiento entre los personajes en el contexto est\u00e9tico-perceptivo del g\u00e9nero. Qu\u00e9 expectativas genera el g\u00e9nero en el espectador, qu\u00e9 acuerdos est\u00e9ticos propone. Expectativas vinculares, linealidad&hellip;","_links":{"self":[{"href":"https:\/\/reticularfilms.com\/en\/wp-json\/wp\/v2\/lesson\/1429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reticularfilms.com\/en\/wp-json\/wp\/v2\/lesson"}],"about":[{"href":"https:\/\/reticularfilms.com\/en\/wp-json\/wp\/v2\/types\/lesson"}],"replies":[{"embeddable":true,"href":"https:\/\/reticularfilms.com\/en\/wp-json\/wp\/v2\/comments?post=1429"}],"wp:attachment":[{"href":"https:\/\/reticularfilms.com\/en\/wp-json\/wp\/v2\/media?parent=1429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}