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If Hollywood's aesthetics is the archetypal mode of interacting, in what other ways can we live and make films? In what other ways can we relate to each other?

Narrative doesn't push its characters to feel only one thing, that allows the actor to vibrate.

If the intention was to broadcast a message about ecological emergency, was the polarization good guys-bad guys necessary?

No one, at any point in those ten years working together, felt any minimal amount of contempt? Weren't there any discussions?

Who could want Nicole Kidman to loose custody of her children in "Big little lies" second season?

The very attempt to look smart, clever and funny is what reveals her as vulnerable, needy and broken.

If the narrative tries to make us feel what he feels in his moments of confusion, the question is: does it make it happen?

Revenge is almost a narrative genre. Many stories are structured upon that search for balance that's expressed by the hit-back.